The gradual approach of winter is very lovely in the high Alps. The valley of Davos, where I am writing, more than five thousand feet above the sea, is not beautiful, as Alpine valleys go, though it has scenery both picturesque and grand within easy reach. But when summer is passing into autumn, even the bare slopes of the least romantic glen are glorified. Golden lights and crimson are cast over the gray-green world by the fading of innumerable plants. Then the larches begin to put on sallow tints that deepen into orange, burning against the solid blue sky like amber. The frosts are severe at night, and the meadow grass turns dry and wan. The last lilac crocuses die upon the fields. Icicles, hanging from water-course or mill-wheel, glitter in the noonday sunlight. The wind blows keenly from the north, and now the snow begins to fall and thaw and freeze, and fall and thaw again. The seasons are con-fused; wonderful days of flawless purity are intermingled with storm and gloom. At last the time comes when a great snowfall has to be expected. There is hard frost in the early morning, and at nine o’clock the thermometer stands at two degrees. The sky is clear, but it clouds rapidly with films of cirrus and of stratus in the south and west. Soon it is covered over with gray vapor in a level sheet, all the hilltops standing hard against the steely heavens. The cold wind from the west freezes the mustache to one’s pipe-stem. By noon the air is thick with a coagulated mist ; the temperature meanwhile has risen, and a little snow falls at intervals. The valleys are filled with a curious opaque blue, from which the peaks rise, phantom-like and pallid, into the gray air, scarcely distinguishable from their background. The pine forests on the mountain-sides are of darkest indigo. There is an indescribable stillness and a sense of incubation. The wind has fallen. Later on, the snow-flakes flutter silently and sparely through the lifeless air. The most distant landscape is quite blotted out. After sunset the clouds have settled down upon the hills, and the snow comes in thick, impenetrable fleeces. At night our hair crackles and sparkles when we brush it. Next morning there is a foot and a half of finely powdered snow, and still the snow is falling. Strangely loom the châlets through the semi-solid whiteness. Yet the air is now dry and singularly soothing. The pines are heavy with their wadded coverings ; now and again one shakes himself in silence, and his burden falls in a white cloud, to leave a black-green patch upon the hill-side, whitening again as the imperturbable fall continues. The stakes by the road-side are almost buried. No sound is audible. Nothing is seen but the snow-plough, a long raft of planks with a heavy stone at its stem and a sharp prow, drawn by four strong horses, and driven by a young man erect upon the stem.
So we live through two days and nights, and on the third the north wind blows. The snow-clouds break and hang upon the hills in scattered fleeces ; glimpses of blue sky shine through, and sunlight glints along the heavy masses. The blues of the shadows are everywhere intense. As the clouds disperse they form in moulded domes, tawny like sun-burnt marble in the distant south lands. Every châlet is a miracle of fantastic curves, built by the heavy hanging snow. Snow lies mounded on the roads and fields, writhed into loveliest wreaths, or outspread in the softest undulations. All the irregularities of the hills are softened into swelling billows like the mouldings of Titanic statuary.
It happened once or twice last winter that such a clearing after snowfall took place at full moon. Then the moon rose in a swirl of fleecy vaporclouds above, beneath, and all around. The sky was blue as steel, and infinitely deep with mist-entangled stars. The horn above which she first appears stood carved of solid black, and through the valley’s length from end to end yawned chasms and clefts of liquid darkness. As the moon rose the clouds were conquered and massed into rolling waves upon the ridges of the hills. The spaces of open sky grew still more blue. At last the silver light came flooding over all, and here and there the fresh snow glistened on the crags. There is movement, palpitation, life of light through earth and sky. To walk out on such a night, when the perturbation of storm is over and the heavens are free, is one of the greatest pleasures offered by this winter life. It is so light that you can read the smallest print with ease. The up-per sky looks quite black, shading by violet and sapphire into turquoise upon the horizon. There is the color of ivory upon the nearest snow-fields, and the distant peaks sparkle like silver; crystals glitter in all directions on the surface of the snow, white, yellow, and pale blue. The stars are exceedingly keen, but only a few can shine in the intensity of moonlight. The air is perfectly still, and though icicles may be hanging from beard and mustache to the furs beneath one’s chin, there is no sensation of extreme cold.
During the earlier frosts of the season, after the first snows have fallen, but when there is still plenty of moisture in the ground, the loveliest fern-fronds of pure rime may be found in myriads on the meadows. They are fashioned like perfect vegetable structures, opening fan-shaped upon crystal stems, and catching the sunbeams with the brilliancy of diamonds. Taken at certain angles, they decompose light into iridescent colors, appearing now like emeralds, rubies, or topazes, and now like Labrador spar, blending all hues in a wondrous sheen. When the lake freezes for the first time its surface is of course quite black, and so transparent that it is easy to see the fishes swimming in the deep beneath ; but here and there, where rime has fallen, there sparkle these fantastic flowers and ferns and mosses made of purest frost. Nothing, in-deed, can be more fascinating than the new world revealed by frost. In shaded places of the valley you may walk through larches and leafless alder thickets by silent farms all silvered over with hoar spanglesfairy forests, where the flowers and foliage are rime. The streams are flowing half-frozen over rocks sheeted with opaque green ice. Here it is strange to watch the swirl of water freeing itself from these frost-shackles, and to see it eddying beneath the overhanging eaves of frailest crystal-frosted snow. All is so silent, still, and weird in this white world that one marvels when the spirit of winter will appear, or what shrill voices in the air will make his unimaginable magic audible. Nothing hap-pens, however, to disturb the charm, save when a sunbeam cuts the chain of diamonds on an alder-bough, and down they drift in a thin cloud of dust. It may be, also, that the air is full of floating crystals, like tiniest most restless fire-flies rising and falling and passing crosswise in the sun-illumined shade of tree or mountain-side.
It is not easy to describe these beauties of the winter-world ; and yet one word must be said about the sunsets. Let us walk out, therefore, towards the lake at four o’clock in mid-December. The thermometer is standing at three degrees, and there is neither breath of wind nor cloud. Venus is just visible in rose and sapphire, and the thin young moon is beside her. To east and south the snowy ranges burn with yellow fire, deepening to orange and crimson hues, which die away and leave a greenish pallor. At last, the higher snows alone are livid with a last faint tinge of light, and all beneath is quite white. But the tide of glory turns. While the west grows momently more pale, the eastern heavens flush with after-glow, suffuse their spaces with pink and violet. Daffodil and tenderest emerald intermingle ; and these colors spread until the west again has rose and primrose and sapphire wonder-fully blended, and from the burning skies a light is cast upon the valleya phantom light, less real, more like the hues of molten gems, than were the stationary flames of sunset. Venus and the moon meanwhile are silvery clear. Then the whole illumination fades like magic.
All the charms of which I have been writing are combined in a sledge-drive. With an arrowy gliding motion one passes through the snow-world as through a dream. In the sunlight the snow surface sparkles with its myriad stars of crystals. In the shadow it ceases to glitter, and assumes a blueness scarcely less blue than the sky. So the journey is like sailing through alternate tracts of light irradiate heavens, and interstellar spaces of the clearest and most flawless ether. The air is like the keen air of the highest glaciers. As we go, the bells keep up a drowsy tinkling at the horse’s head. The whole landscape is transfiguredlifted high up out of commonplaceness. The little hills are Monte Rosas and Mont Blanes. Scale is annihilated, and nothing tells but form. There is hardly any color except the blue of sky and shadow. Everything is traced in vanishing tints, passing from the almost amber of the distant sunlight through glowing white into pale grays and brighter blues and deep ethereal azure. The pines stand in black platoons upon the hillsides, with a tinge of red or orange on their sable. Some carry masses of snow. Others have shaken their plumes free. The châlets are like fairy houses or toys, waist-deep in stores of winter fuel. With their mellow tones of madder and umber on the weather-beaten woodwork relieved against the white, with fantastic icicles and folds of snow depending from their eaves, or curled like coverlets from roof and window-sill, they are far more picturesque than in the summer. Color, wherever it is found, whether in these cottages or in a block of serpentine by the road-side, or in the golden bulrush blades by the lake shore, takes more than double value. It is shed upon the landscape like a spiritual and transparent veil. Most beautiful of all are the sweeping lines of pure, untroubled snow, fold over fold of undulating softness, billowing along the skirts of the peaked hills. There is no conveying the charm of immaterial, aerial, lucid beauty, the feeling of purity and aloofness from sordid things conveyed by the fine touch on all our senses of light, color, form, and air, and motion, and rare tinkling sound. The magic is like a spirit mood of Shelley’s lyric verse. And, what is perhaps most wonderful, this delicate delight may be enjoyed without fear in the coldest weather. It does not matter how low the temperature may be, if the sun is shining, the air dry, and the wind asleep.
Leaving the horse-sledges on the verge of some high hill-road, and trusting one’s self to the little hand-sledge which the people of the Grisons use, and which the English have christened by the Canadian term “toboggan,” the excitement becomes far greater. The hand-sledge is about three feet long, fifteen inches wide, and half a foot above the ground, on runners shod with iron. Seated firmly at the back, and guiding with the feet in front, the rider skims down precipitous slopes and round perilous corners with a rapidity that beats a horse’s pace. Winding through sombre pine forests, where the torrent roars fitfully among caverns of ‘barbed ice, and the glistening mountains tower above in their glory of sun-smitten snow, darting round the frozen ledges at the turnings of the road, silently gliding at a speed that seems in credible, it is so smooth, he traverses two or three miles without fatigue, carried onward by the mere momentum of his weight. It is a strange and great joy. The toboggan, under these conditions, might be compared to an enchanted boat shooting the rapids of a river ; and what adds to its fascination is the entire loneliness in which the rider passes through those weird and ever-shifting scenes of winter radiance. Sometimes, when the snow is drifting up the pass, and the world is blank behind, before, and all around, it seems like plunging into chaos. The muffled pines loom fantastically through the drift as we rush past them, and the wind ever and anon detaches great masses of snow in clouds from their bent branches. Or again at night, when the moon is shining, and the sky is full of flaming stars, and the snow, frozen to the hardness of marble, sparkles with innumerable crystals, a new sense of strangeness and of joy is given to the solitude, the swiftness, and the silence of the exercise. No other circumstances invest the poetry of rapid motion with more fascination. Shelley, who so loved the fancy of a boat inspired with its own instinct of life, would have delighted in the game, and would probably have pursued it recklessly. At the same time, as practised on a humbler scale nearer home, in company, and on a run selected for convenience rather than for picturesqueness, tobogganning is a very Bohemian amusement. No one who indulges in it can count on avoiding hard blows and violent upsets, nor will his efforts to maintain his equilibrium at the dangerous corners be invariably graceful.
Nothing, it might be imagined, could be more monotonous than an Alpine valley covered up with snow. And yet to one who has passed many months in that seclusion Nature herself presents no monotony ; for the changes constantly wrought by light and cloud and alternations of weather on this landscape are infinitely various. The very simplicity of the conditions seems to assist the supreme artist. One day is wonderful because of its unsullied purity ; not a cloud visible, and the pines clothed in velvet of rich green beneath a faultless canopy of light. The next presents a fretwork of fine film, wrought by the south wind over the whole sky, iridescent with delicate rainbow tints within the influences of the sun, and ever changing shape. On another, when the turbulent Rohn is blowing, streamers of snow may be seen flying from the higher ridges against a pallid background of slaty cloud, while the gaunt ribs of the hills glisten below with fitful gleams of lurid light. At sunrise, one morning, stealthy and mysterious vapors clothe the mountains from their basement to the waist, while the peaks are glistening serenely in clear daylight. Another opens with silently falling snow. A third is rosy through the length and breadth of the dawn-smitten valley. It is, however, impossible to catalogue the indescribable variety of those beauties which those who love nature may enjoy by simply waiting on the changes of the winter in a single station of the Alps.