When we came fairly into the courtyard of Warwick Castle, a scene of magnificent beauty opened before us. I can not describe it minutely. The principal features are the battlements, towers, and turrets of the old feudal castle, encompassed by grounds on which has been expended all that princely art of landscape gardening for which England is famousleafy thickets, magnificent trees, openings, and vistas of verdure, and wide sweeps of grass, short, thick, and vividly green, as the velvet Moss we sometimes see growing on rocks in New England. Grass is an art and a science in Englandit is an institution. The pains that are taken in sowing, tending, cutting, clipping, rolling, and otherwise nursing and coaxing it, being seconded by the misty breath and often falling tears of the climate, produce results which must be seen to be appreciated
Here, under the shade of lofty cedars, has sprung and fallen an hereditary line of princes. One can not but feel, in looking on these majestic trees, with the battlements, turrets, and towers of the old castle everywhere surrounding him, and the magnificent parks and lawns opening through dreamy vistas of trees into what seems immeasurable distance, the force of the soliloquy which Shakespeare puts into the mouth of the dying old king-maker, as he lies breathing out his soul in the dust and blood of the battlefield.
I have described the grounds first, but, in fact, we did not look at them first, but went into the house where we saw not only all the state rooms, but, through the kindness of the noble proprietor, many of those which are not commonly exhibited; a bewildering display of magnificent apartments, pictures, gems, vases, arms and armor, antiques, all, in short, that the wealth of a princely and powerful family had for centuries been accumulating.
The great hall of the castle is sixty-two feet in length and forty in breadth, ornamented with a richly carved Gothic roof, in which figures largely the family cognizance of the bear and ragged staff. There is a succession of shields, on which are em-blazoned the quarterings of successive Earls of Warwick. The sides of the wall are ornamented with lances, corselets, shields, helmets,and complete suits of armor, regularly arranged as in an armory.
we saw the helmet of Cromwell, a most venerable relic. Before the great, cavernous fire-place was piled up on a sled a quantity of yew-tree wood. The rude simplicity of thus arranging it on the polished floor of this magnificent apartment struck me as quite singular. I suppose it is a continuation of some ancient custom.
Opening from this apartment on either side are suites of rooms, the whole series being three hundred and thirty-three feet in length. These rooms are all hung with pictures, and studded with antiques and curiosities of immense value. There is, first, the red drawing-room, and then the cedar drawing-room, then the gilt drawing-room, the state bedroom, the boudoir, etc., etc., hung with pictures by Vandyke, Rubens, Guido, Sir Joshua Reynolds, Paul Veronese, any one of which would require days of study.
I walked to one of the windows of these lordly apartments, and while the company were examining buhl cabinets, and all other deliciousness of the place, I looked down the old gray walls into the amber waters of the Avon, which flows at their base, and thought that the most beautiful of all was without. There is a tiny fall that crosses the river just above here, whose waters turn the wheels of an old mossy mill, where for centuries the family grain has been ground. The river winds away through the beautiful parks and undulating foliage, its soft, grassy banks dotted here and there with sheep and cattle, and you catch farewell gleams and glitters of it as it loses itself among the trees.
Gray moss, wallflowers, ivy, and grass were growing here and there out of crevices in the castle walls, as I looked down, sometimes trailing their rippling tendrils in the river. This vegetative propensity of walls is one of the chief graces of these old buildings.
In the state bedroom were a bed and furnishings of rich crimson velvet, once belonging to Queen Anne, and presented by George III. to the Warwick family. The walls are hung with Brussels tapestry, representing the gardens of Versailles as they were at the time. The chimney-piece, which is sculptured of verde antique and white marble, supports two black marble vases on its mantel. Over the mantel-piece is a full-length portrait of Queen Anne, in a rich brocade dress, wearing the collar and jewels of the garter, bearing in one hand a scepter, and in the other a globe. There are two splendid buhl cabinets in the room, and a table of costly stone from Italy; it is mounted on a richly carved and gilt stand.
The boudoir, which adjoins, is hung with pea-green satin and velvet. In this room is one of the most authentic portraits of Henry VIII., by Holbein, in which that selfish, brutal, unfeeling tyrant is veritably set forth, with all the gold and gems which, in his day, blinded mankind; his fat, white hands were beautifully painted. . .
After having examined all the upper stories, we went down into the vaults underneathvaults once grim and hoary, terrible to captives and feudal enemies, now devoted to no purpose more grim than that of coal cellars and wine vaults. In Oliver’s time, a regiment was quartered there; they are extensive enough, apparently, for an army.
The kitchen and its adjuncts are of magnificent dimensions, and indicate an ancient amplitude in the way of provision for good cheer worthy an ancient house; and what struck me as a still better feature was a library of sound, sensible, historical, and religious works for the servants.
We went into the beer vaults, where a man drew beer into a long black jack, such as Scott de-scribes. It is a tankard, made of black leather, I should think half a yard deep. He drew the beer from a large hogshead, and offered us some in a glass. It looked very clear, but, on tasting, I found it so exceedingly bitter that it struck me there would be small virtue for me in abstinence.